About
Photography
Tom Swiss is a multi-talented photographer and cinematographer who has made a name for himself in the industry with his exceptional skills and creativity. With years of experience in both fields, Tom is a true master of his craft.
As a photographer, Tom has a keen eye for detail and a deep understanding of how to use light, color, and composition to create stunning images that tell a compelling story. His portfolio includes a wide range of projects, including fashion, beauty, portraits, events, and lifestyle photography, all of which demonstrate his exceptional technical and creative skills.
Cinematography
As a cinematographer, Tom specializes in feature films, music videos, and commercials. His cinematic work captures the essence of his subjects and environments, bringing an artful and immersive quality to the screen. His ability to translate his unique visual storytelling style from photography to cinematography has made him a sought-after talent in the film industry. His work has been featured in several film festivals, and he has won multiple awards for his cinematography skills.
Tom's work has been featured in a variety of publications and media outlets, showcasing his versatility and range as an artist. His clients include individuals and businesses looking to capture the essence of their brand or project, and he has a proven track record of delivering exceptional results.
Today
Today, Tom continues to push the boundaries of photography and cinematography, exploring new techniques, styles, and technologies to create stunning visual stories that capture the beauty of fashion, people, and life.
In addition to his work in photography and cinematography, Tom founded the polling company Ogden & Fry. He also holds a degree in biology from Indiana University and Medical Technology from Loyola University Medical Center.
David Fincher
"I always wanted to give a lecture at film schools. You go in and you see all these fresh faces, and you say: 'You! Stand up, tell me your story. Tell me what your film is going to be about.' And they start, and you go: 'Shut up and sit the fuck down!' And if they do, you go: 'You're not ready.' Because the film business is filled with shut-up and sit-the-fuck-down. You got to be able to tell your story in spite of sit-down and shut-the-fuck-up. If you are going to let something like that derail you, what hope do you have against transportation department? What hope do you have against development executives?"
